{"id":1353,"date":"2025-12-26T07:42:15","date_gmt":"2025-12-26T07:42:15","guid":{"rendered":"https:\/\/penerbit.aswara.edu.my\/?page_id=1353"},"modified":"2025-12-30T03:32:46","modified_gmt":"2025-12-30T03:32:46","slug":"cinematography-visual-style-innovation-a-case-study-of-hong-kyung-pyo-in-parasite-2019-and-burning-2018","status":"publish","type":"page","link":"https:\/\/penerbit.aswara.edu.my\/index.php\/cinematography-visual-style-innovation-a-case-study-of-hong-kyung-pyo-in-parasite-2019-and-burning-2018\/","title":{"rendered":"Cinematography Visual Style Innovation: A Case Study of Hong Kyung-pyo in Parasite (2019) and Burning (2018)"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">&nbsp;Hazny Saleh, Azman Ismail, Shafiq Ahmed Ghazie, Luth Adam Mohd Asri<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Published :<\/strong> 29-12-2025<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>DOI :<\/strong> <a href=\"https:\/\/doi.org\/10.62312\/asw.ijach.14.8.2025\">https:\/\/doi.org\/10.62312\/asw.ijach.14.8.2025<\/a> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract :<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This article explores the cinematographic approach of Hong Kyung-pyo, the renowned South Korean cinematographer behind the films Parasite (2019) and Burning (2018). His work is distinguished by a masterful command of light, colour, and camera movement, all of which contribute significantly to his visual storytelling. Through an in-depth analysis of his narrative and cinematographic techniques, this study highlights Hong&#8217;s ability to combine naturalistic and artificial lighting, employ colour symbolism, and construct carefully framed compositions. These elements not only enhance the aesthetic appeal of the films but also reinforce themes such as socio-cultural divides and emotional depth. His background in visual arts\u2014encompassing painting and photography\u2014adds value to his ability to craft engaging and meaningful imagery. Hong\u2019s close collaborations with directors and production teams ensure that visual and narrative elements intertwine seamlessly, enhancing the storytelling impact of each film. The findings conclude that Hong Kyung-pyo\u2019s cinematography is not only aesthetically striking but also instrumental in conveying complex themes through layered visual symbolism. His innovative approach underscoresthe power of cinematography as a medium for immersive storytelling.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>Keywords:<\/strong> Cinematography, Visual Narrative, Lighting, Colour, Visual Symbolism.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Download full article : <a href=\"https:\/\/penerbit.aswara.edu.my\/wp-content\/uploads\/2025\/12\/2289-5051_iJACH_Vol-14_Issue-8_Dec-2025.pdf\" data-type=\"attachment\" data-id=\"1363\">2289-5051_iJACH_Vol 14_Issue 8_Dec 2025<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;Hazny Saleh, Azman Ismail, Shafiq Ahmed Ghazie, Luth Adam Mohd Asri Published : 29-12-2025 DOI : https:\/\/doi.org\/10.62312\/asw.ijach.14.8.2025 Abstract : This article explores the cinematographic approach of Hong Kyung-pyo, the renowned South Korean cinematographer behind the films Parasite (2019) and Burning (2018). His work is distinguished by a masterful command of light, colour, and camera movement, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1353","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages\/1353","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/comments?post=1353"}],"version-history":[{"count":3,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages\/1353\/revisions"}],"predecessor-version":[{"id":1392,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages\/1353\/revisions\/1392"}],"wp:attachment":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/media?parent=1353"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}