{"id":768,"date":"2024-07-22T08:39:12","date_gmt":"2024-07-22T08:39:12","guid":{"rendered":"https:\/\/penerbit.aswara.edu.my\/?page_id=768"},"modified":"2025-07-04T08:21:49","modified_gmt":"2025-07-04T08:21:49","slug":"ijach-volume-11","status":"publish","type":"page","link":"https:\/\/penerbit.aswara.edu.my\/index.php\/ijach-volume-11\/","title":{"rendered":"iJACH Volume 11"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image aligncenter size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/penerbit.aswara.edu.my\/wp-content\/uploads\/2025\/07\/COVER-PAGES-IJACH-11-200x300.jpg\" alt=\"\" class=\"wp-image-1211\" style=\"width:219px;height:auto\" srcset=\"https:\/\/penerbit.aswara.edu.my\/wp-content\/uploads\/2025\/07\/COVER-PAGES-IJACH-11-200x300.jpg 200w, https:\/\/penerbit.aswara.edu.my\/wp-content\/uploads\/2025\/07\/COVER-PAGES-IJACH-11.jpg 464w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/figure>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>The International Journal Arts, Culture &amp; Heritage (iJACH) Volume 11 2024<\/strong><\/p>\n\n\n\n<p><strong>No e-ISSN : 2289-5051<\/strong><\/p>\n\n\n\n<p>Muat turun artikel penuh di sini : <strong><a href=\"https:\/\/penerbit.aswara.edu.my\/wp-content\/uploads\/2025\/07\/2289-5051_iJACH_Vol-11_Jun-2024.pdf\" data-type=\"attachment\" data-id=\"1223\">2289-5051_iJACH_Vol 11_Jun 2024<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>ARTIKEL<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>1.<a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/the-international-arts-culture-heritage-ijach-volume-11-2024-silver-eye-of-singapore-the-early-photography-accounts-in-the-hikayat-abdullah\/\" data-type=\"page\" data-id=\"839\"> Silver Eye of Singapore: The early photography accounts in the Hikayat Abdullah<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Ismail, K. Azril<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>2. <a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/roslan-jomels-experimental-short-stories-and-the-influences-of-marquez-and-murakami\/\" data-type=\"page\" data-id=\"838\">Roslan Jomel\u2019s Experimental Short Stories and the Influences of Marquez and Murakami<\/a><br><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Nur Farhana Rusli &amp; Mawar Safei<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>3. <a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/dance-as-rehabilitation-and-therapy-for-breast-cancer-survivors-in-kuala-lumpur\/\" data-type=\"page\" data-id=\"858\">Dance as Rehabilitation and Therapy for Breast Cancer Survivors in Kuala Lumpur<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Premalatha Thiagarajan<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>4. <a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/i-float-genesis-additional-personalfloating-device-in-the-context-of-threelevel-of-design\/\" data-type=\"page\" data-id=\"867\">I-Float Genesis: Additional Personal Floating Device in the Context of Three Level of Design<\/a><br><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Rudie Tajuddin @ Ta, Abdul Halim Husain &amp; Firdaus<br>Ramli<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>5. <a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/mirror-mirror-on-the-digital-wall-exploring-self-consciousness-in-mediated-environments-as-research-creation\/\" data-type=\"page\" data-id=\"886\">Mirror, Mirror On The Digital Wall \u2013 Exploring Self Consciousness in Mediated Environments As Research Creation<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Kok Yoong Lim, Nadia Mahmud, Joonsung Yoon<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>6. <a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/gambus-sejarah-instrumentasi-dan-peranannya-dalam-industri-muzik-malaysia\/\" data-type=\"page\" data-id=\"891\">Gambus: Sejarah, Instrumentasi dan Peranannya dalam Industri Muzik Malaysia<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Mohd Nizam Attan<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>7. <a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/affective-generative-visuals-based-on-datainput-influenced-by-users-emotions\/\" data-type=\"page\" data-id=\"898\">Affective Generative Visuals Based on Data Input Influenced by User\u2019s Emotions<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Kin Keong Lee, Jolaina Mohd Nasseri<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>8. <a href=\"https:\/\/penerbit.aswara.edu.my\/index.php\/akademi-seni-tengku-temenggung-1923-1935-sebagai-theatre-state-perkembangan-islam-dan-kesenian-di-kelantan\/\" data-type=\"page\" data-id=\"902\">Akademi Seni Tengku Temenggung (1923-1935) sebagai Theatre State Perkembangan Islam dan<br>Kesenian di Kelantan<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\" style=\"font-style:normal;font-weight:700\">Azman Ismail, Zamzuriah Zahari , Abd. Wahab Othman<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-0bbf7da835e9287a6df0978bddb7d4d1\" style=\"font-style:normal;font-weight:500\"><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The International Journal Arts, Culture &amp; Heritage (iJACH) Volume 11 2024 No e-ISSN : 2289-5051 Muat turun artikel penuh di sini : 2289-5051_iJACH_Vol 11_Jun 2024 ARTIKEL 1. Silver Eye of Singapore: The early photography accounts in the Hikayat Abdullah Ismail, K. Azril 2. Roslan Jomel\u2019s Experimental Short Stories and the Influences of Marquez and Murakami [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-768","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages\/768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/comments?post=768"}],"version-history":[{"count":29,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages\/768\/revisions"}],"predecessor-version":[{"id":1301,"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/pages\/768\/revisions\/1301"}],"wp:attachment":[{"href":"https:\/\/penerbit.aswara.edu.my\/index.php\/wp-json\/wp\/v2\/media?parent=768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}