Hazny Saleh, Azman Ismail, Shafiq Ahmed Ghazie, Luth Adam Mohd Asri
Published : 29-12-2025
DOI : https://doi.org/10.62312/asw.ijach.14.8.2025
Abstract :
This article explores the cinematographic approach of Hong Kyung-pyo, the renowned South Korean cinematographer behind the films Parasite (2019) and Burning (2018). His work is distinguished by a masterful command of light, colour, and camera movement, all of which contribute significantly to his visual storytelling. Through an in-depth analysis of his narrative and cinematographic techniques, this study highlights Hong’s ability to combine naturalistic and artificial lighting, employ colour symbolism, and construct carefully framed compositions. These elements not only enhance the aesthetic appeal of the films but also reinforce themes such as socio-cultural divides and emotional depth. His background in visual arts—encompassing painting and photography—adds value to his ability to craft engaging and meaningful imagery. Hong’s close collaborations with directors and production teams ensure that visual and narrative elements intertwine seamlessly, enhancing the storytelling impact of each film. The findings conclude that Hong Kyung-pyo’s cinematography is not only aesthetically striking but also instrumental in conveying complex themes through layered visual symbolism. His innovative approach underscoresthe power of cinematography as a medium for immersive storytelling.
Keywords: Cinematography, Visual Narrative, Lighting, Colour, Visual Symbolism.
Download full article : 2289-5051_iJACH_Vol 14_Issue 8_Dec 2025